If you want to know the sufferings and the lifestyles of the tamil people who were employed there in the rubber estates, you must give a read of the tamil novel “ Palmara Kaatinile” by the author Akilan. The story base has been incredibly created by the director to point out the accurate premises of the Malaysian tamil people and their lifestyles and left in the hands of the viewer to arrive at a conclusion. Everbody should have told/known/heard/seen that Kabali deals with the life events of the Malaysian tamils. Only a handful of films have been made about the tamilans living outside India. Ranjith has selected one of the less-mentioned territories in cinema world. Kabali potrays a totally different Rajinikanth, a Rajinikanth who will make you feel, emote, and respect for his marvelous acting. Director Ranjith on the other hand has excellently handled the star by extracting out the compressed actor from Rajini himself. He has eventually revealed his social responsibility by signing this project, knowing this movie could stir up cult-based fundamentalists. We must examine closely in what mindset an actor such as Rajinikanth would have selected this script.
Though this claim may sound a bit of an overstatement, there are proofs and points to justify these claims.Ī great applause is needed for Superstar Rajinikanth to approve and act in a script that deals with one of the most sensitive aspects of our country. What if I told you that both Rajinikanth and Ranjith created a revolution in Tamil Cinema, a revolution that we could easily tend to miss in our naked eye by arising unnecessary contradictions and misunderstood facts by some extremist people? Yes what you will witness in Kabali is one such revolution that no director can do with a superstar like Rajinikanth in the past and may be in the future too, unless directors such asRanjith exist and megastars such as Rajinikanth accept this kind of scripts coming out of their comfort zone. Ignoring this movie will finally lead to regret, in the years to come. Early in the millennium, a lot of movies, movies with genuine attitude towards restoring equality in the society, have been disregarded by us. Though the people don’t clearly distinguish them from the other conventional movies, they have been constantly supporting these movies by getting grasped to their engaging screenplay and enchanting music and not by getting in touch with their high intellectual candor. Voices of the diminished, musings of the oppressed and fictional biographies of victim who are affected by the materialistic mainstream society are key traits that have been handled by this new era films. For a long time there has been an upbeat transformation happening in Tamil Cinema, a transformation that is not an obvious for our audiences.
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